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page 1

TC-158SD
HP-450S

Thanks to Robert...

RM-AV2500

APM-007AV

APM-007AV

APM-22ES

plaatje van een APM-22ES die op ebay te koop gezet is door iemand uit Wenen. Het betreft een in Duitsland geproduceerd model dat geen APM tweeter heeft.

APM-22ES

APM-22ES

plaatje van een APM-22ES die op ebay te koop gezet is door iemand uit Wenen. Het betreft een in Duitsland geproduceerd model dat geen APM tweeter heeft.

APM-22ESG

APM-22ESG

APM-44ESG

lijken wel verdacht veel op de APM-66ESG.

APM-44ESG

APM-550

APM-550

APM-66ES MKII

APM-66ES MKII
 

APM-66ESG

Duitse versie van de APM-66. Uitgevoerd in donkerbruin hout met zwarte APM woofer en normale midrange en tweeter.

APM-66ESG

APM-77W

APM-77W

APM-8

APM-8

APM-8

APM-8 CROSSOVER

APM-8 MIDRANGE

APM-8 TWEETER

APM-8 UNITS

APM-8 WOOFER

APM-9

Van de APM-9 is alleen een prototype; het is nooit in productie gekomen. De opvolger APM-8 wel.

APM-9

APM-X270

APM-X270

APM-X270

BHF 120

BHF 120

BM-600

BM-600

BM-600

CCD-V200

CCD-V200E

CCD-V5000

CCD-V5000

CCD-V6000

CCD-V6000

CDP-3100

CDP-3100

CDP-553ESD

CDP-553ESD

DCR-VX1

DCR-VX1

DCR-VX1

DCR-VX1

DCR-VX1

DCR-VX1000E

DCR-VX1000E

DCR-VX1000E

DCR-VX1000E

DCR-VX1000E

DCR-VX2000E

DCR-VX2000E

DCR-VX2000E

DCR-VX2000E

DCR-VX9000E

DCR-VX9000E

DCR-VX9000E

DCR-VX2000E

DCR-VX9000E

DCR-VX9000E

DCR-VX9000E

DRD-100

Replication unit.

DRD-100

DTC-1000ES

DTC-1000ES

DTC-1000ES

DTC-2000ES

DTC-2000ES

DTC-77ES

DTC-77ES

DTC-77ES

DTC-A6

Sampling frequency :
Playback : 48 - 44,1 - 32 khz (SP/LP).
Recording (digital) : 48 - 44,1 - 32 khz (SP/LP).
Recording (analog) : 48 - 44,1 - 32 khz (LP).
2 digital input (coaxial/optical).
2 digital output (coaxial/optical).
Analog i/o on RCA.
SCMS : Yes

DTC-A6

DTC-A7

Sampling frequency :
Playback : 48 - 44,1 - 32 khz (SP/LP).
Recording (digital) : 48 - 44,1 - 32 khz (SP/LP).
Recording (analog) : 48 - 44,1 - 32 khz (LP).
2 digital input (coaxial/optical).
2 digital output (coaxial/optical).
Analog i/o on RCA.
SCMS : Yes

DTC-A7

DTC-A8

Sampling frequency :
Playback : 48 - 44,1 - 32 khz (SP/LP).
Recording (digital) : 48 - 44,1 - 32 khz (SP/LP).
Recording (analog) : 48 - 44,1 - 32 khz (LP).
2 digital input (coaxial/optical).
2 digital output (coaxial/optical).
Analog i/o on RCA.
SCMS : Yes

DTC-A8
 

DTC-A9

DTC-A9

ESPRIT 88 SERIE

TC-K88B
TA-E88B
ST-J88B
TA-N88B

ESPRIT RACK

TA-N86B
TA-E86B
_service_manuals_ok2

FH-7

FH-7

HDR-FX1

HDR-FX1

ICF-2002

ICF-2002

ICF-7600DA

ICF-7600DA

ICF-7600DA

ICF-7600DA

ICF-7600DA

ICF-7600DA

ICF-7600DA

ICF-7800

ICF-7800

ICF-7800

ICF-7800

ICF-SW100E

ICF-SW100E

ICF-SW100E

ICF-SW100E

ICF-SW100E

ICF-SW100E

LA-EA1

LA-EA1

MX-Y5

MX-Y5

PCM-1

From the early stages of the PCM-1 development, Sony had been looking for a way to record and play back sound using a digital audio disc. In 1975, Sony put the Betamax VCR on the market. At the same time, Sony had been working to market an optical videodisc (laser disc) which was developed by Philips. Described as a record that plays a picture, and having a diameter of thirty inches, the same as a conventional LP record, this large platter was developed by Senri Miyaoka, the same person who had developed the Trinitron color TV. Deputy President Iwama remarked to Miyaoka, Sony must have optical technology in the coming age of electronics. Encouraged by Iwama, Miyaoka assembled a team of engineers to develop an optical recording system, selecting members from within the 2nd Development Division.

In spring 1976, Doi and his colleagues delivered a prototype of the PCM-1 to Miyaoka and his team and asked them to make a disc, which could record digital audio. This disc was probably the first digital audio disc prototype in the world. 110volt.

The PCM-1, commercialized in September 1977

The type of signals recorded by the Betamax and the video disc were the same, meaning that the PCM-1, which had been developed as an adapter for the Betamax, could also be used as an adapter for the video disc player. At this time, Doi's plan was to connect the videodisc player to the PCM-1, thus creating a digital audio disc. The sound quality of the Betamax was relatively high, so this seemed like a reasonable plan. When Doi and his colleagues tested the disc they had developed; however, they felt as if hit with a sledgehammer. What they heard was the complete opposite of their expectations. Far from producing a clear sound, the disc produced a poor disconnected sound against a background of static and could barely be heard.

After looking into the causes, Doi made three decisions. The first was to use the PCM-1, which they had been preparing to launch in the autumn of that year, as an adapter exclusively for Betamax. This was a simple and logical decision. The second decision was to approach the audio disc and the videodisc as unrelated items and give priority to developing audio technology. In other words, to develop a brand new way to directly record the digital audio signal onto an optical disc, instead of using a video signal from a video recording format. At the time, the videodisc was a star product, which everyone believed would prove popular throughout the world. The decision to develop a digital audio disc that used a totally different format was extremely bold. Doi's third decision was to actively develop signal error correction technology, something for which no one had any experience to draw upon. Considering this, the third decision was quite exceptional.

Audio data is converted to binary digital signals, and recorded on the surface of a digital audio disc as an array of ones and zeros. When played back, digital signals are converted to electronic signals as a light beam reads them. Signal error correction is a function whereby the machine rectifies a situation in which a bit has been incorrectly read. Signal error correction is especially important in optical discs because, compared to tape a greater number of erroneous readings are made during playback.

Under Doi's leadership, the team began to study signal error correction. At the same time, Doi ordered computer specialists to create a computer simulation system for studying signal error correction. Thanks to the efforts of Doi and his team, Sony was able to establish a firm position for itself in the field of digital audio.

At the 1977 Audio Fair, Sony and two other companies exhibited their digital audio discs and players. However, these two companies used a video signal on a videodisc, and they had a rather simple signal error correction feature. Sony's machine was an unmodified video disc player that recorded digital audio signals, not video signals, directly on an optical disc that employed signal error correction.

Sure enough, people criticized S

PCM-1

PCM-2300

PCM-2300

PCM-2500

PCM-2500

PCM-2500

PCM-2600

PCM-2600

PCM-2700

PCM-2700
 

PCM-2800

PCM-2800

PCM-500

PCM-500

PCM-500

PCM-7010

PCM-7010

PCM-7030

PCM-7030

PCM-7040

4 heads + Timecode.
Sampling frequency :
Playback : 48 - 44,1 khz.
Recording (digital) : 48 - 44,1 khz.
Recording (analog) : 48 - 44,1 khz.
1 digital input (XLR).
1 digital output (XLR).
Analog i/o on XLR.
Power consumption : 38 W
Weight : 10 kg
SCMS : Switchable.

PCM-7040

PCM-7050

PCM-7050

PCM-R300

Sampling frequency :
Playback : 48 - 44,1 - 32 khz (SP/LP).
Recording (digital) : 48 - 44,1 - 32 khz (SP/LP).
Recording (analog) : 48 - 44,1 - 32 khz (LP).
2 digital input (coaxial/optical).
2 digital output (coaxial/optical).
SBM
Analog i/o on RCA.
Power consumption : 30 W
Weight : 5 kg
SCMS : Switchable.

PCM-R300

PCM-R500

4 heads.
Sampling frequency :
Playback : 48 - 44,1 - 32 khz (SP/LP).
Recording (digital) : 48 - 44,1 - 32 khz (SP/LP).
Recording (analog) : 48 - 44,1 - 32 khz (LP).
2 digital input (coaxial/XLR).
2 digital output (coaxial/XLR).
SBM
Analog i/o on RCA and XLR.
Power consumption : 34 W
Weight : 7,2 kg
SCMS : Switchable.

PCM-R500

PCM-R500

de achterzijde van de PCM-R500

PCM-R700

Sampling frequency :
Playback : 48 - 44,1 - 32 khz (SP/LP).
Recording (digital) : 48 - 44,1 - 32 khz (SP/LP).
Recording (analog) : 48 - 44,1 - 32 khz (LP).
2 digital input (coaxial/XLR).
2 digital output (coaxial/XLR).
SBM
Analog i/o on RCA and XLR.
Power consumption : 34 W
Weight : 7,4 kg
SCMS : Switchable.

PCM-R700

PEAK PROGRAM METER

TAN-8550

PGM-2950QM

29" cubic design kleurenmonitor met een resolutie van 600x480 (VGA 31.5 KHz 60/70 Hz). on screen menu.

PGM-2950QM

PS-LX3

PS-LX3

PS-LX3

PS-LX3

PS-LX3

PS-X600

PS-X600

PS-X65

PS-X65

PS-X65

PS-X65

PS-X65

PS-X65

PS-X65

PS-X65

PVM-2950QM

29" cubic design kleurenmonitor met een horizontale resolutie van 600 lijnen. Ondersteund PAL, NTSC, SECAM en NTSC 4.43. Twee ingangen voor video/Y/C+RGB, on screen menu.

PVM-2950QM

SA-S1

SA-S1

SA-S1

SA-S1

SA-S1

SA-S1

SA-S1

SB-5335

SB-5335

SB-5335

SEL-16F28

SEL-16F28

SEL-18200

SEL-18200

SEL-1855

SEL-1855

SS-1010

SS-1010

SS-1250

SS-1250

SS-2250

SS-2250

SS-3150

SS-3150

SS-3GX

SS-3GX

SS-4050

SS-4050

SS-5050 MKII

SS-5050 MKII

SS-550

SS-550

SS-555

SS-555

SS-5GX

SS-5GX

SS-5GX

SS-74F

SS-74F

SS-8150

SS-8150

SS-850 MKII

power handling capacity: 100 Watt (max), 200 Watt (peak) at 8 Ohm.
dimensions: 45 x 66 x 27.5cm (width x height x depth)
weight: 18,85 Kg (each)

SS-850 MKII

SS-90

SS-90

SS-91

SS-91

SS-92

SS-92

SS-93

SS-93

SS-97

SS-97

SS-98

SS-98

SS-999

SS-999

SS-G333ES

SS-G333ES

SS-G333ES

SS-G333ES

SS-G4

SS-G4

SS-G5A

SS-G5A

SS-G777ES

SS-G777ES

SS-G777ES

SS-G777ES

SS-G777ES

SS-G7A

SS-G7A

SS-G7A

SS-R1

SS-R1

SS-R1

SS-R3

SS-R3

SS-R3

SS-R5

SS-R5

SS-R5

SS-S11

SS-S11

SS-V2

SS-V2

SS-V2M

SS-V2M

SS-V4

SS-V4

SS-V4

SS-V4

ST-D777ES

ST-D777ES

ST-J88B

ST-J88B

ST-J88B

ST-J88B

ST-J88B

STR-V45L

STR-V45L

STR-V45L

STR-V45L

STR-V45L

TA-343

TA-343

TA-343

TA-AV33

TA-AV33

TA-AV33

TA-AX2

TA-AX2

TA-AX2

TA-AX2

TA-AX3

TA-AX3

TA-AX3

TA-AX4 + ST-JX4L

ST-JX4L
TA-AX4

TA-AX4 + ST-JX4L

ST-JX4L
TA-AX4

TA-AX4 + ST-JX4L

ST-JX4L
TA-AX4

TA-AX4 + ST-JX4L

ST-JX4L
TA-AX4

TA-AX500

TA-AX500

TA-AX7

TA-AX7

TA-AX7

TA-AX7 + ST-J75

ST-J75
TA-AX7

TA-D9000

TA-D9000

TA-D9000

TA-D9000

TA-D9000

TA-D9000

TA-E86B

TA-E86B

TA-E88

zilverkleurige versie van de TA-E88B.

TA-E88

TA-F35

TA-F35

TA-F35

TA-F45

TA-F45

TA-F45

TA-F555ES MKII

TA-F555ES MKII

TA-F60

TA-F60

TA-F777ES

TA-F777ES

TA-F777ES

TA-N88

zilverkleurige variant van de TA-N88B

TA-N88

TA-N88B

TA-N88B

TA-N88B

De voorkant.

TA-N88B

De achterkant. Alleen een 220V aansluiting.

TA-N88B

De sticker op de bovenkant geeft aan dat het om een digitale eindversterker gaat.

TA-N88B

Aan de linkerzijkant bevinden zich de aansluitingen voor de luidsprekers.

TA-N88B

Aan de rechterzijkant bevinden zich de aansluitingen voor de line in.

TA-N88B

Een waardige voorloper van de ESPRIT serie. Sony heeft vele jaren aan deze eindeversterker onderzocht en ontwikkeld. Met de TA-N88B ontstond de eerste digitale eindversterker voor consumenten ter wereld. Een rariteit. Zelfs vandaag de dag nog kosten professionele digitale eindversterkes meerdere duizenden euro's.
Voor lange tijd was deze versterker "Science fiction". De werking ervan berust op de Class D schakeling. Hoe werkt dat? Het analoge ingangssignaal (van de voorversterker, radio, CD) wordt in digitale puls-breedte signalen (PWM-codes) gemoduleerd, versterkt en over een analoge uitgangsfilter aan de luidsprekers afgegeven.
Voor toenmalige omstandigheden was de klank meer bijzaak. Wat veel meer telde was de technologische voorsprong. Gezien de huidige stand van de techniek moet je je niet veel verwachten van de geluidskwaliteit. Het is veel meer een verzamelstuk geworden. Een zeer zeldzaam verzamelstuk.

TA-P7F

TA-P7F

TA-P7F

TA-P7F

TA-P7F

TAE-8450 VU METER

thanks to Samuel Mikkola (see http://www.multi.fi/~samppo/hifi.htm)

TAE-8450

TC-D5M

TC-D5M

TC-FX2

TC-FX2

TC-FX2

TC-FX2

TC-FX2

TC-FX3

TC-FX3

TC-FX5

TC-FX5

TC-FX5

TC-FX5

TC-FX606R

TC-FX606R

TC-FX66

TC-FX66

TC-FX711

TC-FX711

TC-FX77

TC-FX77

TC-K555ES

TC-K555ES

TC-K61

TC-K61

TC-K75

TC-K75

TC-K75

TC-K75

TC-K88B

TC-K88B

TC-K88B

TC-K88B

TC-K88B

TC-K88B

TC-K88B

TC-K88B

TC-K88H

TC-K88H

TC-K88H

TC-K88B

TC-KA5ES

TC-KA5ES

TC-KA5ES

TC-KA5ES

TC-KA5ES

TC-KA5ES

TC-R303

TC-R303

uitleg PWM

TA-N88B

VCL-ECF1

VCL-ECF1